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8/50 Lyrically Perfect Songs
There is no safer place than in between cold embraces // Say it again // I like how you work my name // Embroidering the pain on every speck of skin // The distance has been not so kind // I curse this caveat // And the temperatures are wearing paper thin // I am sick of listening
Old School MCS circa ‘02 featuring @joshuaallencain @jessemack & @jcpmcs in the name of #tbt good people! Sorry @matthewstaylor :(
Get a load of these yahoos!
Here it is…
Our introductory message of hope and peace for the future of the human race!
Enjoy.
You better be ware the ides
Call it what you will, it’s a dangerous compromise
To stagger along the vine
Gripping at the quick fix, tangled in your faulty lines
This bears repeating, I’ll say it again
This part holds meaningWatch me now
I made it to the big time major leagues
I made it to the big time major leagues
I made it but I don’t know what it means
I made it to the big time major leagues
Watch me nowA feverish intercourse
Carving up your inside, splinters offer no remorse
A damaging repertoire
Gotta make it stick, gotta stick it to the floor somehow
This bears repeating, I’ll say it again
This part holds meaningWatch me now
I made it to the big time major leagues
I made it to the big time major leagues
I made it but I don’t know what it means
I made it to the big time major leagues
Watch me nowI’m on to something
Watch me now
I’m crystal clear
Watch me now
There’s only here
There’s only better than
There’s only
Everything I can’t beWatch me now
I made it to the big time major leagues
I made it to the big time major leagues
I made it but I don’t know what it means
I made it to the big time major leagues
Watch me now
Don’t be fooled by the perfect pop guitar and infectious hooks. Hidden beneath these plotted structures and radio-friendly riffs rest a collection of raw and almost too real tales of heartache. If you’re not paying careful attention and just giving Motion City Soundtrack a passing glance, it might never dawn on you that they are actually sad bastards.
“Hold Me Down” for example, the closer to Motion City Soundtrack’s Commit This To Memory, lends a spotlight look into the scraped knees and bruised egos that come with trying to get your shit together. Presented in a candid, letter-received form, the song’s lyrics take on a confessional approach. The author of the Dear John death sentence admits to being in love, but also reflect on the sacrifices and restrictions that are required to remain in that state. The leaving party confesses after a list of changes and memories, “I love you, however, you hold me down.”
The song manages to capture an angle of depression and addiction in a manner that few artists have the bravery to approach. There is absolutely no filter. The pain and vulnerability presented to the listener is as real and honest as it comes in music. This genuine approach to songwriting builds a bridge between Motion City Soundtrack and its listeners. Beautifully, this creates an almost “group therapy through audio” effect to the song, reminding the listener that they are not alone in their emotions. There is something extremely comforting in finding some light in that regardless of it stemming from the darkness in an artists life. Motion City Soundtrack’s ability to creation and stir such emotion in complete strangers is the exact reason that musicians butterfly into legends.